A live broadcast with 20 or more cameras is not simply a large-scale version of a three-camera production. It is a fundamentally different operational environment — one in which the…
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The LED wall has no nationality. A Unilumin UpadH outdoor cabinet installed at a stadium in Sydney carries the same pixel architecture as a unit flying on a truss in…
Curved LED walls have become one of the defining scenic statements of contemporary touring and corporate event design. From the sweeping concave curves of a stadium stage to the intimate…
The marketing images for LED walls show them hanging beautifully in perfectly air-conditioned arenas with level floors and ample rigging points. Reality frequently delivers a converted car park with drain…
When the camera count on a live production exceeds ten, the relationship between the LED video wall and the broadcast infrastructure shifts from a technical footnote to a central production…
LED floors and interactive touchscreen installations have become signature elements of high-end live productions, experiential marketing events, and broadcast entertainment formats. The visual spectacle they create for the live audience…
The overnight LED wall rebuild is among the most logistically complex and physically demanding operations in live event production. It occurs when a large-scale LED installation must be completely struck,…
The overnight LED wall rebuild — striking a wall configuration from one show and rebuilding it in a different size, shape, or location for the next morning — is the…
Midday sun is the adversary that every outdoor production team eventually develops a healthy respect for. The hours between 10am and 3pm on a clear day present camera operators and…
The ambition of contemporary live event scenic design has grown dramatically alongside the production values of the industry. Corporate general sessions that once made do with a podium, a draped…